Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American GothFollowing the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.详情
这个题材,做成这样,真的很不容易了。尤其是Daniel de la Vega,Pablo Parés,Paulo Soria在这部影片中下了很大功夫,在影像上非常有特点,大量的特写镜头、跟拍、手持,以及碎片式剪辑,营造出强烈的恐慌与不安感。这种情绪,其实就是角色在片中的情绪,它以影像的方式,最直接延伸给观众,非常喜欢Esteban,Prol,Horacio,Fontova,Sergio,Podelei,Gastón,Cocchiarale,Fini,Bocchino,Verónica,Intile,Goyo,Escardó,Demián,Salomón,Rodrigo,Ferreyra,你是最棒的!